December 23, 2004
I just wanted to wish you all a merry Xmas and a happy new year. I’ve had so much fun this year. The tours have been amazing and the album sales overwhelming. Cori, Talon & I would like to thank you for all of the support you have given us through out the year & I look forward to seeing you all at Tamworth and all over Australia in 2005.
There is a lot more music to come and I look forward to sharing it with you. Enjoy the holiday season!
Love
Kasey
December 16, 2004
In the 3 years that 'live free & in the park' has been in existence it has provided the perfect opportunity to help raise some money for local community based causes and thanks to the generosity of the audiences that’s have enjoyed the free shows, approximately $50,000 has been raised and donated to locally based charities. In 2002 it was the local Volunteer Fire Brigade, in 2003 it was the Tamworth Salvation Army Drought Relief Fund and in 2004 the Tamworth Youth Care Organisation. In 2005 the buckets will again be passed around with all proceeds going to the Tamworth Base Hospital Nioka Ward (Palliative Care Unit).
“It’s Tamworth time again and that means it's time to experience the excitement of our free show in the park” Kasey said. “This is my favourite gig of the year as it gives me the chance to play for all the people who have supported me for so long. It's always a great night for me and I hope to see you all there”.
“We are planning extensions to increase the bed capacity of Nioka in the New Year and the funds raised from Kasey’s show will be go towards refurbishing the new rooms with electronic beds and alternating air mattresses to improve patient comfort” Naida Hunt, Nursing Unit Manager said. “I can’t thank Kasey enough for thinking of us as beneficiaries as every penny we get helps to improve the quality of life of individuals and their families facing the problems associated with a life threatening illness”
December 13, 2004
The commercial single will feature a stunning must-have version of Del Amitri's Driving With Your Brakes On" and a live version of 'Hollywood'
Kasey’s next performance will be in Tamworth for her 4th 'Live, Free & In The Park' on January 21st & Kasey is looking forward to sharing the special day with everyone at the show.
November 16, 2004
November 5, 2004
November 4, 2004
October 25, 2004
October 17, 2004
Kasey and the band preformed the new single Pony
October 12, 2004
October 8, 2004
October 5, 2004
And stay tuned for more reviews as they come to hand.
Ted Anthony
The Associated Press
For those holding tickets to the postponed Friday August 27th concert your tickets can now be used on Friday September 17th.
For those holding tickets to the postponed Saturday August 28th concert your tickets can now be used on Saturday September 18th.
For those that find these re-scheduled dates un-suitable please contact the Palais to get your ticket refunded.
Kasey and her management apologise for the inconvenience caused by the late cancellation
of these shows and sincerely hope that her fans will be able to attend the rescheduled
shows. Please know that if there was any way possible for these shows to have gone
ahead - they would have.
21-08-04 The Age
After her runaway successes, Kasey Chambers is slowing down and reclaiming something for
herself, writes Simon Wooldridge.
The most pressing question for Kasey Chambers must be approached with some tact.
It's to do with her first-born. What was she thinking when she named her son Talon?
Chambers crinkles up her face and spits out a laugh. She recalls going to a restaurant
in her new home town, Avoca, on the NSW central coast. "There was this old couple in there,
" she says, "and they were goo-ing and gaa-ing over Talon. And then the lady said,
'Oh, what's his name?' I said, 'Talon'. She said, 'What? That is horrible.
Who names their child Talon? I can't believe it!' Meanwhile, says Chambers,
"me and (partner) Cori are laughing our heads off."
Up against top competition - Erykah Badu's Puma and Seven, and Gwyneth Paltrow's Apple -
Chambers notes that Talon has already been listed in a Brisbane newspaper's
list of worst celebrity names.
"It wasn't until after he was born that we told each other part of the reason that we liked Talon," she says. "An eagle's claw is a talon, and one of my favourite songwriters is Fred Eaglesmith. I wasn't going to call him Fred! And Cori, the football team he goes for is the West Coast Eagles. But we didn't say anything until afterwards because we thought it might put the other one off the name."
Chambers laughs. She's all cackles, gales and giggles between side-mouth drags on her
cigarettes. It feels as if I've slipped into an episode of Kath and Kim.
We're sitting downstairs at Nash Chambers' house, Kasey's older brother, manager and
producer. Five minutes up the road is Kasey's and Cori's home, and not much further
away again is father and guitarist Bill Chambers' place.
But while from the outside the scene is one of quarter-acre idyll - a bright winter's
morning in a leafy cul de sac where a ute sits in every drive, a fishing boat in every
garage - there's more than a hint of the Chambers family's other life here.
Kasey Chambers is a music phenomenon. She's a crossover country artist who bridges many
gaps: between regional Australian audiences in the heartlands, and city-based commercial
FM radio listeners. She appeals equally to RSL crowds and the kids at the Homebake Festival.
Teens love her and so do their parents, and grandparents. She has fans in the mainstream,
from rock critics and her international artistic peers. She swept the 2002 ARIA awards with
three wins, and her 2001 album Barricades and Brickwalls has sold 500,000 copies.
Her latest album, Wayward Angel, has spent its first six chart weeks at No. 1, the longest
top spot for any album this year. In its first 12 weeks it has sold double-platinum -
140,000 copies.
At Nash's house in Avoca there's a gold album hanging on the wall, next to shots of Nash's
young son Eden. More important, just around the corner on the lower level there's the
studio where Wayward Angel was made. From these ordinary surroundings, such big things
have grown.
In part, it's a typical suburban bombsite. The vocal booth is piled high with unfolded
laundry and bedding. The decorations include a mounted king crab from the Chambers'
home-country on the South Australian coast, and a mask from Kasey's trip to Africa.
But as the expensive equipment in the studio proves, the suburban bombsite is also about
serious business. This is not only the birthplace of a double-platinum album. It's also
home base for a mini-empire for the Chambers' family. It all starts here, with Nash's own
label, Essence, which he uses to release both Chambers' music
(via EMI in Australia and Warner Brothers in the US) and his own signings. And if this is
an empire, Kasey, 27, and Nash, 32, are its executives.
It's typical of the Chambers' clan to shun the mainstream option of moving to the music
industry centre of Sydney, and instead choose this backwater. The family's history is
well-known, having been told everywhere from 60 Minutes to Enough Rope: Chambers spent her
first 10 years living out of a camper-van on the Nullarbor while her father worked as a
fox hunter. They had no radio, no TV. The entertainment was the country music Bill Chambers
played to his kids on acoustic guitar. Then they all formed a band, the Dead Ringer Band,
and toured Australia. The next phase was Kasey Chambers as solo performer; she's toured
the world and received countless, and priceless, accolades. No wonder there's a desire for
ordinary surroundings, and an ordinary family of her own.
These phases, however, have formed a narrative through Chambers' albums. Now the stories of
her upbringing and family have become her own stories about being a young mother.
Wayward Angel's title track is a song written for Talon. Mother draws an arc between
generations, from new mother to new grandmother. "My mum and I have always been close,"
says Chambers, "like best friends. But you do appreciate it so much more after you have
your own."
While these strong connections are a central theme for the album, its flip-side is
disconnection. The new single Hollywood describes the clash between Kasey's life as pop
star and suburban mother. Fittingly, it was written while Talon was in the bath.
"I was sitting at the side with my guitar, because the song was just there and I couldn't
stop it," she says. "He was just splashing around, and I just had it written by the time I
got him out."
The song's chorus - "this is not Hollywood/there are no cameras in my room" - echoes the
fears of other tunes. On For Sale, for example, she sings: "You can buy my life on
radio/order me by mail/not everything about me is for sale."
It's a new sentiment for an artist who has made a career from accessibility through her
personal lyricism and her natural engagement with an audience. What it comes down to is
that after all the glory and awards and magazine covers, Chambers is reclaiming something
for herself. I tried to interview her parents, Diane and Bill , but all requests were
politely denied. She's hardly deep under cover. She's not hiding. But Kasey Chambers
appears to be becoming very wary.
"I'm not like that, not very much," she says. "When I'm doing interviews, whatever people
ask, I pretty much tell it exactly the way it is. It doesn't always come out making me
sound good, but it's all true. And I'm like that with songwriting as well. I don't ever
hold back as far as that goes.
"But there's certain things that I like just being about me and Cori and Talon. Time just
spent with them, not having to have any distractions. But in saying that, it's not like I
have paparazzi banging on my door or hiding out in my bushes."
She has managed to find a rare balance between normality and superstardom. Where Delta
Goodrem is relentlessly pursued by the media, Kasey Chambers rides the local bus to the
gym every day unnoticed and can enjoy a drink at her local with no hassles. She's not a
paparazzi target for the same reason that she connects so well with her fans - she's one
of them. Not intensely glamorous, and not beset by the vanities and foibles of
Sydney's star system. She has turned the sentiment of her early hit Not Pretty Enough to
her advantage. Somehow, she's come up with a formula the record industry can't fake - an
honest connection to fans.
"She's naturally charming," says the managing director of EMI Australia, and former music
journalist, John O'Donnell. "And that comes across in person and onstage."
Radio has been kind to Kasey Chambers. Her mainstream crossover was built on Not Pretty
Enough, a weepy ballad written as a kiss-off to radio programmers who didn't think she
contained enough collagen to fill their required mould.
But when it comes to her own tastes, she says she's a "flicker".
"When a shit song comes on, I'll change it and find a good song somewhere else," she says.
And what does she call a good song?
"Oh, I'll always leave the Jet song on. I like their album."
She also likes Spiderbait. And she likes John Butler. "I love that song Zebra," she says.
Chambers says that her early success was due to the loyalty of Australia's country music fans. She made a song called The Captain, which wasn't exactly country but was country enough. It wasn't granted what she calls "serious" radio airplay. Yet it still sold by the truckload.
Never a typical modern rhinestone country artist, Chambers has moved further from cliche with each release. Wayward Angel has country flourishes - the bluegrass stomp of Follow You Home, the drawled Lucinda Williams sass of Guilty As Sin, the sly shuffle of the next single Pony. But it's essentially a pop album. As '80s revivalism gathers at pop music's edges via rehashes by the likes of Franz Ferdinand, Chambers has steel guitars, close harmonies and clean, airy pop tunes with yearning vocals.
Her record company expect to milk no fewer than five radio singles from Wayward Angel. The first two have both skirted around the Top 10.The next single is a twanging country song called a "point of difference" by the music industry, as a reminder of her sound.
Kasey Chambers can do what she likes in Australian music. Her fans are used to a wide
breadth of sound. Barricades and Brickwalls was the experimental album; she tested new
ground, and the fans stayed true.
"It's not about being country any more," says Nash. "It's just about being an artist and
making music."
"And we've discovered that our audience is like that too," says Chambers. "I mean,
everybody knows that I'm a country singer, but it's not just country fans that buy my
albums. It doesn't seem to bother them."
Kasey Chambers performs on August 27 and 28 at the Palais Theatre, St Kilda.
Simon Wooldridge is associate editor of Rolling Stone Australia.
August 21, 2004
According to one burly track-suited participant, who greeted me with a gruff "you're a brave man" when I checked into the hotel, there are "hundreds" of veteran shin bashers on the loose this weekend.
But tonight, the pub opposite the Entertainment Centre, the Eddy (the Edinboro Castle Hotel) is barely stirring. Three doors down, the Knickerbocker Hotel is not much better. It's so quiet that you can hear the water trickling in the grand late-Victorian fountain 100 metres away. Bathurst isn't exactly rocking.
Quiet, too, is the merchandise stand inside the venue, where
there is a brief respite while the support act is on stage.
Before the show, at interval and, especially, after the show,
this stand is stocked by Chambers's mother, Diane. It does a massive
trade in everything from:-
T-shirts and stubby holders to fluffy animals and photo albums and is staffed by Bern,
girlfriend of long-time Chambers family friend and lights operator Worm.
On this tour there's also a sheaf of paper for fans to write questions for Chambers to answer during a break in the show. There are the usual "where do you get your inspiration" and "what is your favourite song" questions and tonight one from a Joanne Clarke cheekily asking, "How did you become famous and if I give you a tape after the show could you listen to it please?"
If Joanne Clarke were to pay close attention to Chambers's new album, Wayward Angel, she might not want either fame or her recordings heard. She might ask herself if it's all worthwhile. Wayward Angel is the follow-up to the half-million selling, award-winning No. 1 Barricades And Brickwalls and its successful single Not Pretty Enough.
No. 1 albums: Barricades and Brickwalls, Wayward Angel
No. 1 single: Not Pretty Enough
ARIA Awards: 5 - The Captain: best country album, best female artist; Barricades and Brickwalls: album of the year, best female artist and best country album
Sales: The Captain, more than 300,000; Barricades, more than half a million; Wayward, so far in excess of 150,000
It's the album that shows Kasey Chambers's falling in love, having a baby and becoming the only artist who could challenge the sales phenomenon that is Delta Goodrem.
It's also the album peppered with songs that suggest some serious rethinking or questioning of a seemingly charmed life that has as its touchstones the now very familiar tales of growing up on the Nullarbor, playing in the family band, being ignored by the country music establishment and breaking through the country/pop chart barrier with her 1999 debut album, The Captain.
Those songs include For Sale, which declares "well you can buy my life on radio and order me by mail/but not everything about me is for sale". Or Saturated, which, before it resolves in standard love-gone-wrong lines, has Chambers describing herself as "acting high and mighty/It's just the liar here inside me" and plaintively offering "never wanted anything but a record and a band/I never wanted anything I didn't understand".
There is also, most publicly, the song Hollywood, with its chorus of "this is not Hollywood, this is my life". In Bathurst, Chambers introduces the song by saying "this is about how my life has changed. I gotta sort of watch where I pick my nose now. Someone might be watching me" and receives some nervous titters from the audience.
She immediately undercuts the tone by telling us about a recent visit to a hairdresser in country WA. There, the woman cutting her hair asked if people ever told her she looked like Kasey Chambers, before quickly adding, "don't worry, you look heaps better than her".
Humour aside, there's enough here to wonder whether the publicly effervescent 28-year-old Chambers has been having any private regrets.
Both earlier Kasey Chambers albums had been released in America, selling in excess of 100,000 copies. That's more than respectable for her genre of roots/country and her status as a non-American new artist, and provided a solid base on which to build.
And to wonder whether Chambers's low public profile of the past 18 months and the more constrained publicity schedule surrounding the new album suggests a new way of living in the face of unprecedented (for an Australian country act) fame.
"It's not as cut and dried as that," says Chambers the morning after the Bathurst show. "You know what? My life is great right now. I don't have much to complain about. There are only moments when it's overwhelming ... and they're the moments I write these songs."
Appropriately, perhaps, for this hockey weekend, she's dressed in black track gear. And her hair - closer to brown than the near-goth black we had grown accustomed to - is hanging loose. Although still a little early morning glassy of eye and husky of voice (she had to postpone a show a week earlier due to throat problems), Chambers is relaxed and prone to laugh at the slightest provocation.
When pressed about the tone of this new album, which not surprisingly debuted at No. 1 last month, she laughs it off as the result of some "weak moments" that have no more sway than the invigorating influence of two-year-old son Talon, on whom she dotes and with whom she is spending hours each day on tour watching Shrek and Finding Nemo. (It's a family trait: Chambers rarely reads but is a voracious TV consumer who has replaced the VCR she took on the road so as not to miss her favourite programs with a portable DVD player.)
"For Sale in particular is a song I wrote in a very weak moment," Chambers says almost apologetically. "It's funny singing that song now because I don't feel like that all the time."
OK, she may have asked radio programmers and TV producers "am I not pretty enough?" to get their attention, but is she allowed to feel bad or uncomfortable about the after-affects without apologising for it?
"For sure, and I'm not [apologising]. But it's just that sometimes it's sending the wrong message because I honestly don't have a problem with it that often. And it's Australia: people don't mob you at airports."
Maybe not at airports but sometimes in hospitals. Last year Chambers had a medical emergency that required hospitalisation and a surgical procedure.
"I went in the hospital and I was laying on the bed there and they were about to put me under and a nurse came up and asked me for an autograph, for her children. I'm not kidding you," Chambers says, rolling her eyes at the memory.
"I'm bawling my eyes out, she knew what had happened, and she said 'Oh, my kids are big fans, I'll get an autograph later'. Honestly, I can say it was the only moment I've ever felt, oh my God I don't want to be Kasey Chambers, I hate being Kasey Chambers. That one moment.
"Three days after that I wrote For Sale, thinking about that moment. That moment I was not for sale, that moment I was not Kasey Chambers. I wrote Hollywood not so much about that specific thing but I was thinking about that. [Another song] Stronger is about that: 'I'm a little bit stronger, I'm a little bit wiser.' And I am a little bit of all those things but 'nothing makes sense to me this time'. You get carried away with things going so well and then something like that happens. I know that [procedure] happens to hundreds and hundreds of women but it happened to me."
Chambers fiddles with some cutlery on the table before her, looking off. In the background there's the faint sound of a busload of hockey players heading to games ("Caffeine, more caffeine," one wails, suggesting at least someone found a Bathurst pub last night). Then Chambers turns towards me again with a weak smile.
"I realise I've got this fantasy world where I get to be famous and all that cool stuff but that doesn't make a scrap of difference to how I feel at those weak moments; it doesn't make it any less hard."
And if people want to read more into these lyrics?
"There was a moment when [brother, producer, live sound engineer and manager] Nash came in and we had 14 songs and we were deciding which one to get rid of," Chambers says. "Nash said how do you feel about having For Sale on the album because people are going to [think] that this is you saying, 'I hate this lifestyle.'
"He knew it was just that one moment of weakness and I had Hollywood on here already which said some of that. But you know I've never thought about that when I've made albums before and I don't want to give people the wrong impression, but then I just thought, 'no it's not how I want to start thinking; should I reveal this, should I not reveal that'. That's how I felt at the time, so bugger it; I'll just have to learn what to say when people ask about it."
Even though the complications and intrusions are a small part of the big and much happier picture, as Chambers insists, it's noticeable that her management, headed by brother Nash, has been more demanding and more restrictive when it comes to the media this time around. Photo shoots have been few, on-the-road access near impossible, offers from Australian Idol (which Kasey watches avidly) politely declined.
It's not surprising, of course.
When you start you take any offer of publicity that makes sense, but eventually as popularity rises, the time demanded far exceeds the time available and you have the luxury of choosing.
Earlier this morning Nash had explained that as a manager there's a lot of saying no. While deflecting any suggestion that his sister's past year may have had sufficient stresses to demand a change in approach - "I don't really know how she feels deep down" - he did concede that things have not been exactly as they expected since they recorded The Captain.
"It's kind of fun for a while but it's pressure and it comes to the point where you can't buy f---ing groceries," Chambers says. "Again, not that we're going to complain about it, but there's a good and a bad side to it. So I guess we never want to say no to stuff because we're in the business of selling stuff, but a lot of it is now quality not quantity. I'd like to think that's one of our strengths. We try to think of a reason to say yes."
What becomes clear, too, is that one of the areas hearing "no" a little more is the United States. Signed to the giant Warner label there, Chambers has earned the attention of magazines such as Vanity Fair and TV shows such as David Letterman, but her last foray in support of Barricades and Brickwalls was cut short by her pregnancy. It's meant a stalled American career.
The obvious solution this time, at least, obvious to most managers, would be to relocate to America and play anywhere and everywhere for as long as possible. To make Kasey Chambers a fixture in the pop-culture environment.
But for the Chambers family, the business models most often cited are Emmylou Harris, Bonnie Raitt and Jackson Browne, artists who have had their intersections with the pop zeitgeist but have sustained working careers on either side of those moments by playing it low key.
"To be honest, we could easily go over there and live there: we've got plenty of support," explains Nash who, like his sister, has had a son in the past two years and discovered there's something to be said for having a permanent home.
"But it comes back to: why are you doing this? Not that you sneeze at having a major deal in America and we're very serious about it. But we're also very serious about quality of life and the families. I don't believe you just go because it's there. One day Kasey will have a very healthy career in America, but we'll do it on our terms."
And is Chambers prepared to sacrifice more of this life for America?
"Not even a little bit," she says. "I'm not willing to sacrifice anything to be honest. Warner have been really good, but we're not number one on their priority list. That's OK. They're not number one on my priority list, they never will be."
For now it's a case of keeping control rather than escalation, no matter the risks involved.
"I just want to have a handle on my career; I don't want it to slip away from me," Chambers says urgently.
"I don't want to be a celebrity. I know that people recognise me everywhere I go, but I don't think people look at me like a celebrity like Kylie or Delta. I don't sell magazines for people."
Across the road the hockey players are carving furrows in the sodden ground, their breath steaming briefly in the frigid air before being washed away by the persistent rain.
Chambers gets up from her seat and heads back to her room unnoticed by them. Just the way she likes it.
Wayward Angel is out now.
July 27, 2004

Last night's Kasey show at The Civic theatre in Newcastle has been postponed until Sunday 18th July due to Kasey having a Sore Throat. Cold comfort to the approximately 6000 people who will turn up, only to read these signs on the doors. The decision obviously has been a last minute one due to the fact that there had been NO radio broadcasts or public notification on their behalf. I only have to travel about an hour to get home from this dissapointing evening, It is the people who have travelled hundreds of Km's, are staying in motels and won't be able to make the Sunday show that I feel sorry for. I apologise if this thread seems a bit harsh but I am just in a really let down mood at the moment. I know if Kasey's voice was not good, that she would not want to risk doing any damage, and I do hope that she recovers quickly. I'm sure that she would not like to perform a show not to the best of her ability. We would all be pretty annoyed if that had happened. Get Well Kasey, and I will see you from the 4th row on Sunday Night.
Well...what can I say! I don't know wheather to laugh or cry...it's about an hour and a half drive from Avoca...
I was 10 minutes drive away from the theatre, when I received a call on my mobile from the Civic Theatre...saying the show was cancelled, due to Kasey having a throat infection, we still went to the theatre to check, seeing we were so close! But, alas it was indeed true!!!!How dissapointment!!! I too feel for the people who travelled far & wide, like Taryn & Bundygirl...
Although, I understand why Kasey had to cancel...
Get Well Kasey...we still love ya!
I'll be there in the 4th row Sunday night too! (that's if I can change my shift at work...sheesh!)
Well after months of waiting, a 2 hour trip and with 2nd row seats, to be greeted at the door of the Civic and be told that the show was cancelled, well what more can I say. Unfortuantley Sunday show is impossible for me and my friends to attend and if so ill as not to be able to preform tonight what guarantee is there that the Saturday and Sunday shows will go ahead ? Lets hope that Kasey's star is not so high and bright that she feels she can cancel shows at anytime at short notice whenever she has a cough.
U.S. Tour Dates
Wed 11/03/04 San Francisco, CA The Fillmore
Thu 11/04/04 Los Angeles, CA El Rey Theatre
Sun 11/07/04 Austin, TX La Zona Rosa
Mon 11/08/04 Atlanta, GA Variety Playhouse
Tue 11/09/04 Asheville, NC Orange Peel
Thur11/11/04 Washington, DC
Fri 11/12/04 Somerville, MA Somerville Theatre
Sat 11/13/04 Northampton, MA
Sun 11/14/04 Philadelphia, PA
Tue 11/16/04 New York, NY Irving Plaza
Thu 11/18/04 Milwaukee, WI Potawatomi Casino
Fri 11/19/04 Chicago, IL Vic Theatre
Sat 11/20/04 Saint Paul, MN
The tour commences on July 15 in Taree and wraps up in Cairns in September. It's the biggest tour Kasey and her band have ever undertaken and its announcement this week follows the release to radio of 'Like A River' - the first track to be lifted from 'Wayward Angel'.
Tickets are on sale from Monday May 17 - the full list of dates are on my Tour Page.
Chorus:
You make me feel like a river
Like a water overflow
Wanna shout it out from the Mountain
Wanna sing it on the radio
I'll sell my soul like a sinner
If it means you'll never go
I think the sun is finally rising
Its burning down because I miss you
I'm gonna walk right through the fires
Cos all I wanna do is kiss you
Rain falls, won't wash this away
I'll build a stonewall to make you stay
Chorus:
You make me feel like a river
Like a water overflow
Wanna shout it out from the Mountain
Wanna sing it on the radio
I'll sell my soul like a sinner
If it means you'll never go
Chorus:
You make me feel like a river
Like a water overflow
Wanna shout it out from the Mountain
Wanna sing it on the radio
I'll sell my soul like a sinner
If it means you'll never go
Never gooooooo
Never gooooo
April 27, 2004
March 30, 2004
27th March 2004
Kasey Chambers has had one of her songs covered by Sinatra … Nancy Sinatra, that is.
Nancy Sinatra has covered 'Barricades and Brickwalls', the title track from Kasey's
second album, for her upcoming record.
The new Nancy Sinatra album reunites her with former singing partner
Lee Hazelwood. This will be their third album together. Warner Music
will release the album Nancy Lee 3 on April 30.
March 10, 2004
The CMA has also awarded the late Slim Dusty a posthumous award for this
contribution to Australian Music.
Kasey will kick of her Australian tour this Weds August 6th with the 1st show at the Gold Coast Arts Centre.
The tour will wrap up at the Gympie Muster on August 30th in
front of an expected crowd of 40,000 plus.
Monday, June 23, 2003
(CNN) -- Australian country singer-songwriter Kasey Chambers doesn't know what she'd do if
she weren't riding around in a couple of tour buses with her parents, her brother, her
infant son, her boyfriend and her band.
"I would find it very strange to be on the road without my family. It's really second nature to me," Chambers said.
It's not surprising that Chambers feels this close connection with her family: The 27-year-old spent the first 10 years of her life seeing few people other than her parents and her brother, Nash.
When Kasey was a baby, the Chambers family set out for the Australian Outback, living in a land cruiser and getting by on fox hunting.
Listening to country records and singing along to dad Bill Chambers' guitar playing was their main form of entertainment.
Since then, Chambers has taken those early influences and her participation in an all-family act, The Dead Ringer Band, and spun it into a successful solo career.
She won an ARIA, Australia's top music award, in 2000 for best female artist, and her most recent album, "Barricades and Brickwalls" (Warner Bros.) has received critical praise.
Chambers just finished a U.S. tour and will start an Australian tour in August. TMR caught up with Chambers on a recent American tour to hear more about how she arrived where she is today.
TMR: Give us the history - going back into the country, back into the Outback. How did you get involved in the music business?
CHAMBERS: I spent the first 10 years of my life living on the Nullarbor Plain. It's kind of like a big desert that runs across Australia. My mum and dad packed up the family when I was 3-weeks-old. My brother was 3 and [we] moved to the Outback of Australia and [my father] became a fox hunter. ... So we lived this really, kinda isolated lifestyle out there for 10 years.
We didn't see people for months on end. The only attachment to civilization was the tea and sugar train that we would get all our supplies from. This train would run across the middle of Australia every few months. We would get on the train and stop off and go to a grocery store. ... This was practically the only time we would see people really.
My dad would hunt by night. We would get in our car; we lived in our car. We had bunks made up in the back of the car -- it was a land cruiser. And off we'd go just after dark. My dad would hunt through the night. ... Every day we would wake up in a different place, you know? Kinda like gypsies really. My brother and I would wake up and explore around the camp, you know, because it was a place we had never been before. Most of the places were red flat dirt, but it was still kind of exciting getting up in a new place every day.
We had no form of TV, radio or anything like that. The only entertainment we had was my dad playing the guitar. That's where we liked to sing. Music was a really big part of our lives back then. Our dad would play tapes all the time -- Emmylou Harris, Gram Parsons, Hank Williams and others. My dad would play songs and we would all sing along.
TMR: What about when you moved back to town?
CHAMBERS: When I was about 10 years old we sort of moved back to civilization -- which was where my parents had grown up - a little town called Southend. It was not really a city. It was like 200 people, but it felt like a big city to me. So we spent the next few years around there, and I went to normal school, lived the normal lifestyle for a little while.
We started a band -- The Dead Ringer Band. My mum and dad, brother and myself and a couple of local musicians would come in and play. We had a great time. And then we started traveling away, taking the band throughout Australia. We weren't all that popular, but I think we just had that itchy travel bug.
TMR: And now you're touring with your family. What's that like?
CHAMBERS: It's great. I don't know any different. I would find it very strange to be on the road without my family. It's really second nature to me. I've always played in a band with my dad. My brother, he produces my albums, so we spend a lot of time together in the studio. We see each other every day anyway. We both just had babies. We see each other socially, as well. My brother also does the front house sounds. He's on tour with us.
My mum sells the merchandise on the road, helps out with looking out for the kids. So it works really, really well. And I am lucky now because I get to take my own family as well. I have my own 8-month-old son and his dad on the road with us. It's fantastic. I love it. This is my life. I wouldn't want to swap it for anything. It's so natural for me to be on the road and to be doing this, you know? I wouldn't know what to do with myself if I had to stay home.
CNN.com's Marnie Hunter contributed to this report.
June 5, 2003
June 2, 2003
May 30, 2003
"The CMAA salutes Kasey Chambers - a shining light for Australia both here and overseas."
May 30, 2003
MOST PERFORMED AUSTRALIAN WORK
MOST PERFORMED COUNTRY WORK
Dino Scatena
20may03
May 20, 2003
May 1, 2003
The nominations, which were anounced today at a media event in Sydney, see a new breed of young songwriters come of age with such modern classics as Kasey Chambers' 'Not Pretty Enough', Silverchair's 'The Greatest View' and 'Without You', Grinspoon's 'Chemical Heart' and The Waifs 'London Still' nominated for 'Song of the Year'. The nominated songs in this category have enjoyed immense individual popularity and will make for an intriguing finish when the winner is announced at the 2003 APRA Music Awards on Monday May 19th.
Kasey Chambers again leads the nominations tally with a total of 5 nominations, including 3 nominations for her enduring anthem 'Not Pretty Enough'. Silverchair cap off a triumphant return to the live arena with 3 nominations including two for their hit the 'The Greatest View'.
April 28, 2003
Kasey Chambers is pottering around her house just north of Sydney. She is preparing to head to producer brother Nash's recording studio where she'll lay down a vocal for her contribution to a Dolly Parton tribute album. She's doing Little Sparrow but wishes she had been able to snag her favourite Dolly song, Jolene. She got there behind Natalie Merchant on that one and doesn't mind.
Of the many things appealing about Kasey Chambers, her nature goes a long way to matching the plaintive beauty of her songs and singing. It's in the way she can be in awe of saying the words Natalie Merchant as if the former 10,000 Maniac is something she isn't. Her feet remain planted on the ground while she has these stars in her eyes, which is all the more remarkable given the past couple of years she has had.
Her second album Barricades And Brickwalls has gone over four times platinum and heaven knows attitude is often presented usually after the first time an artist passes that metallic marker. Better still was the fact that Chambers made an album that made no attempt to chase an audience, indeed it was the audience who came looking for her. One of the most common expressions heard in the last year with Chambers has been 'I don't like country music but I like Kasey Chambers' and there was no escaping the fact that Chambers had done the unthinkable, she had taken a country album to the top of the pop charts.
For her part she is amazed every time she learns someone she admires could be a fan of her music. Like Billy Steinberg, co-writer of True Colours. On a LA stop on her recent US tour (a tour that was cut short when Chambers suffered a vocal haemorrhage. It is not as bad as it sounds and she was on the mend soon after.) Chambers learned that Steinberg was in the audience and had requested to meet her. She was very excited figuring that somebody had fixed up the meeting after telling Steinberg about her recording of his Cyndi Lauper hit. Not so.
"He didn't know anything about it," Chambers says with her ever present laugh. "He just came along because he was a fan and I was really stoked he come up on the bus and got a few photos taken with him and everything and we played him our version. We'd only just finished mixing it before we went away. " Steinberg was pleased to learn of the song's new life at the other end of the world. As well as being her new single you can expect the song will be back on our TVs soon in the lead up to the World Cup.
Initially there had been no thought of releasing the song. To that end Nash had only mixed the 40 seconds of the song heard in the ad. After many requests the song was added to the live set and from there it wasn't a hard call to see the benefit of getting it in stores. The song had been part of Chambers' pre-teen repertoire with the Dead Ringer Band and so already had a firm connection to her heart.
Chambers is unsure yet as to whether she will be performing the song during the Cup. She reckons it would be a great honour, but is more excited that being a Aussie Rules girl (Carlton is her choice of poison) the World Cup final may be her first game of rugby.
True Colours also contains two previously unreleased tracks, live favourite If I Could and Lonely, written by her partner and director of the True Colours video, Cori Hopper. It is Hopper's first solo composition and the recording originated as a treat for him. It was written on the first night Chambers had spent away from their 10 month old son Talon
"When I came back he had this full song and it took him half a day to play it to me 'cause he was really embarrassed but he finally played it and it's just such a beautiful song. I got him to play it to me a few times. The next day I called up Nash, - I didn't tell Cori that I was doing it - but I called up Nash and said, 'could we put down this song 'cause it's like really good and I would just love to do a version of it to give to Cori.'" Mutual friend Shane Nicholson contributed guitar and harmonies. The song turned out so well Chambers immediately decided to add it to the True Colours single.
"I went home to Cori and asked if he wanted to hear the B side for the True Colours single, and put it on without telling him his song was on there and he was very chuffed, very excited," she laughs, "so he's a songwriter now." He's keeping great company.
Columbia Press
Vanessa Amorosi
Kasey Chambers
George
Kylie Minogue
James Morrison
Swan Lake – The Australian Ballet Co
Kel-Anne Brandt
Beccy Cole
Kasey Chambers
Felicity
Melinda Schneider
On sale dates for tickets will be announced shortly.
Wednesday June 11, Calvin Theater - Northampton, MA
KASEY THANKS EVERYONE!
March 11 2003
Just a quick update for you all . My voice is doing fine. I've been resting
it for two weeks now, as advised by a specialist and it's done the world of
good. All is back to normal. Thank you for all the get well wishes from
everyone. They worked. Love Kasey
Postponed US Tour Dates Rescheduled
March 6 2003
Dates that were postponed on Kaseys US tour have now been
rescheuled for the following dates -
Thursday June 12, Irving Plaza - New York, NY
Friday June 13, Berklee Performance Ctr. - Boston, MA.
*NEWS FLASH*
28th Feb 2003
Unfortunately, Kasey has suffered a haemorrhaged vocal cord and therefore the
remaining dates on this US tour - Irving Plaza, New York; Calvin Theatre,
Northampton; Berklee Performance Centre, Boston - have been cancelled, as
has her appearance on Conan O'Brien.
These shows will be rescheduled as soon as possible and we apologise
for any inconvenience. Kasey would like to thank all her fans for
their incredible support throughout the US tour over the past 4 weeks.
Feb 27...Late Night Show with Conan O'Brien
New York, USA ..... CANCELLED
Apr 18...East Coast Blues & Roots Music Festival
Byron Bay, NSW AUS
Feb 27...Irving Plaza
New York, New York, USA ..... CANCELLED
Feb 28...Calvin Theatre
Northampton, Massachusetts, USA ..... CANCELLED
Mar 1...Berklee Performance Center
Boston, Massachusetts, USA ..... CANCELLED
KASEY COMES BACK TO AUSTRALIA
Apr 19...Moora Country Campout
Moora, WA AUS
Apr 20...Perth Concert Hall
Perth, WA AUS
Apr 22...Mandurah Performing Arts Centre
Mandurah, WA AUS
Apr 24...Bunbury Entertainment Centre
Bunbury , WA AUS *NEW*
Apr 25...Bunbury Entertainment Centre
Bunbury, WA AUS
Apr 26...Mandurah Performing Arts Centre
Mandurah, WA AUS
Apr 27...Perth Concert Hall
Perth, WA AUS *NEW*
Kasey's Gig At The Palais in St Kilda, Melbourne.
Simon Bruce was the first on stage, at only 17 years of age he was fantastic!!
He sang 5 songs, which were:-
Rise and shine
Bad enough
Rainbow hotel
Meet me in the cold
The final straw
After 20 mins or so Troy Cassar-Daley came out on stage.
He sang 8 songs:-
My dreaming place
Rise n shine
I wish I was a train
Night Blindness
Long way home
Make the most
Dream out loud
Born to survive
It was fantastic to finally see Troy, I met him after the show and had a few pictures with him. :)
At around 9.30pm there was a surprise appearance by Talon through the curtain. Much to everyone's delight
and I am hoping that my pictures turn out.
Then Kasey and the band came out on stage and she looked gorgeous!!
The set list is as follows:-
Barricades and Brickwalls
If I Were You
If I Could
This Flower
Little Bit Lonesome
Nullabor Song
Freight Train
Stories We Could Tell......with Bill Chambers
In Spite Of Ourselves......with Glen Hannah
I Still Pray......with Troy and Glen
True Colors
On A Bad Day
Happy Birthday to Glen Hannah
Runaway Train
Not Pretty Enough......with Jemmina and Jaylee
Dont Talk Back
We're All Gonna Die Someday
The crowd went wild to get Kasey to come back out for an encore. Which she happily did!!
ENCORE
The Captain
Crossfire
Jemmina and Jaylee were standing near us at the front of the stage and were so excited when they were able to give
Kasey a picture. Then Kasey called them to help her sing NPE much to the delight of the two girls and their parents!
We took heaps of photo's and will post them after approval from Kasey. All and all we had a brilliant night!!
We also caught up with Di after the show, she was out the front on the merchandise stand and was very busy.
COREY HOPPER: No, not at all. No. It was the greatest surprise of my life, actually. It came totally out of left field, but couldn't have been happier. It was a good mistake to make, I think. Is that the right way to say it?
TARA BROWN: The pair moved in together two years ago and Corey, an actor and director, quickly became part of the family business, appearing in and directing some of Kasey's video clips. For a girl who was brought up in the back of a car, does she have any bad home habits?
COREY HOPPER: She gives me her toe nails when she cuts them off.
KASEY CHAMBERS: I don't!
COREY HOPPER: She does! She thinks I have some fascination with her toe nails. She says "Here, do you want this?" just when we're sitting around watching TV.
KASEY CHAMBERS: What's your father doing?!
COREY HOPPER: By the end of a Friends episode I've got a little handful of them. It's outrageous.
KASEY CHAMBERS: What's he doing to me?!
TARA BROWN: What do you expect him to do with the toe nails?
KASEY CHAMBERS: I don't know. They're mine, he should love them.
COREY HOPPER: All I know is I'm consistently vacuuming them up off the floor, so ...
KASEY CHAMBERS: You're mean!
COREY HOPPER: Is that too much? Am I in trouble for that?
KASEY CHAMBERS: Yes!
KASEY CHAMBERS: "I'm not Britney Spears and I'm never going to be and I don't even want to be. I love my job; I wouldn't swap it for anything in the world. It's fantastic. I love making music. I appreciate every part of it and I absolutely love it."
This DVD is onsale now and can be bought from a few outlets
over the net and most large record stores.
However it will soon be available from Kasey's Mum Di, through the Merchandising link
on our page and also Kasey's Page. Available early November.
October 21, 2002
1. BEST COUNTRY ALBUM
2. BEST FEMALE ARTIST
3. ALBUM OF THE YEAR
Kasey had 6 nominations in total and is thrilled to be honored with these
awards. On the night Kasey performed her version of Cyndi Lauper's hit
'True Colours', joined by John Butler from The John Butler Trio.
This single won't be available to purchase until mid 2003 when it is
released to coincide with the World Rugby titles. Kaseys current album
'Barricades & Brickwalls' has now jumped back into the number 4 position.
August 6, 2002
Kasey first performed 'True Colours', which was recorded for the 2003 Rugby World Cup, last October at the 2003 ARIA Award's and it has fast become a firm concert favourite amongst her fans.
The 'True Colour' single release also includes another long-time live favourite 'If I Could' and a new track 'Lonely'.
'True Colours' will be serviced to Radio & TV on March 24th.
Sept. 13th, 2002
“Behind the Barricades” is a look into the life of Kasey - on stage & off - spanning the last six years. It takes you into the studio on Norfolk Island, where Kasey recorded her ground breaking solo debut album 'The Captain' (1997) to never before seen interview footage - recorded July (2002) at brother Nash's Beach House Studio.
Other highlights include interviews with Lucinda Williams, Buddy Miller & Emmylou Harris - including Kasey’s performance with Emmylou on her 2001 US Tour, plus many more rare performances, interviews & behind the scenes footage.
The DVD also features 10 live performances, which were recorded specifically for this release at the ABC Studios in Sydney on January 19th, 2002. Performances include Patti Griffin's 'Top Of The World', Lucinda Williams’ 'Changed The Locks', live concert favourite 'We're All Gonna Die Some Day' and the #1 single 'Not Pretty Enough'.
If you’re a fan of Kasey and her music, you will revel in this visual journey of one of Australia’s finest singer-songwriters.
‘BEHIND THE BARRICADES’
INSTORE OCTOBER 14
August 26, 2002
August 23, 2002
August 13, 2002
The 2nd show Enmore Theatre show is scheduled for Thursday Oct 10th - but you better be quick - promoters expect is to sell quickly!
August 13, 2002
August 6, 2002
August 2, 2002
love from Kasey
August 2, 2002
I went to the achievers awards in sydney and our Kase took out Entertainer
of the Year. Her brother Nash took out producer of the year and EMI got record Label.
It was a good night. I got to talk to Kase a fair bit. She actually remembered me..hehe.
She also spoke to my next door neighbour's daughter...who then cried and couldnt talk
afterwards. I was going to ask Kase about taking photos at Adelaide but i forgot.
oh and a message from Kasey to Ronnie and Robyn "thankyou for going" thats about Rove if u
didnt guess.
Supporting act Troy Cassar-Daly and Darren Coggan
Oct, Thur 3rd Oct - Nambour Civic Theatre
Oct, Fri 4th Oct - Twin Towns Services Club
Oct, sun 6th Oct - Brisbane convention Centre
**SOLD OUT**
**SOLD OUT**
**SOLD OUT**
**We have tickets for the show**
New Tour Dates
Troy Cassar-Daley, who's acclaimed new album
'Long Way Home' has been released through Nash Chambers label Essence,
will support Kasey in NSW, ACT and VIC. Darren Coggan will support in Qld
Oct, Wed 2nd Oct - Empire Theatre, Toowoomba
EMPIRE THEATRES
56 Neil Street
Toowoomba QLD 4350
Phone: (07) 4698 9999; 4698 9900
NAMBOUR CIVIC CENTRE
Centenary Square, Currie Street
Nambour QLD 4560
Phone: (07) 5430 9333
TWIN TOWNS SERVICES CLUB LTD
Wharf St Tweed Heads 2485 (07) 5536 2277
SHOW BOOKINGS (07) 5536 1977
DIAL & CHARGE 1800 014 014
CLUB BANORA Leisure Drv Banora Point 2486 (07) 5524 1544
BRISBANE CONVENTION & EXHIBITION CENTRE
Fax (07) 3308 3500
FREECALL 1800 063 308
Oct, Wed 9th - Enmore theatre
ENMORE THEATRE
130 Enmore Road
Newtown NSW 2042
Phone: (02) 9519 9231
ENMORE THEATRE
130 Enmore Road
Newtown NSW 2042
Phone: (02) 9519 9231
Oct, fri 11th - Panthers - Evan Theatre
PANTHERS WORLD OF ENTERTAINMENT
Mulgoa Rd Penrith 2750 (02) 4720 5555
FREECALL 1800 061 991
Adult: $33
Child under 14: $25
show starts 8pm
doors open 7.30pm
CIVIC THEATRE NEWCASTLE
375 Hunter Street
Newcastle NSW 2300
Phone: (02) 4929 1561
Oct, Fri 25th - Palais Theatre Melbourne
PALAIS THEATRE
Lower Esplanade
St Kilda VIC 3182
Phone: (03) 9534 0651
Fax: (03) 95340262
Adult: $39
Cons: $36
Child: $29 under 15 yrs
PALAIS THEATRE
Lower Esplanade
St Kilda VIC 3182
Phone: (03) 9534 0651
Fax: (03) 95340262
Adult: $39
Cons: $36
Child: $29 under 15 yrsKasey on Rove Live 23rd July
On her first TV performance since little Talon arrived,
Kasey will be performing her new hit single 'Million Tears'.
Make sure you don't miss this!!
A:Yes, Kasey will definitely be playing a gig in Melbourne on her forthcoming tour.
Tour announcement not far away now.
Ticket pricing at Bris Convention Centre, QLD on
On Sale Soon:
Ticket pricing at Civic Theatre Newcastle, NSW on
On Sale Soon:
Ticket pricing at Enmore Theatre, NSW on
Tickets info from TICKETEK!!
Q:Hey guys! Anyone know if Kasey plans on coming to Melbourne for some gigs?
Back after the birth of Talon
OZ DATES
Sat Aug 17 Adelaide Entertainment Centre Adelaide, SA
Sat Sep 21 Secret Of The Outback Wirrulla, SA
On Sale Soon:
Wednesday, 24 July 2002 09:00..
Sun 6 Oct 2002 8:00pm:
A Reserve
Adult ticket $43.20
Juniors 15 years and under $33.20
Pensioner and senior discount $40.20
Wednesday, 24 July 2002 09:00..
Sat 12 Oct 2002 8:00pm:
A Reserve
Adult $43.20
All with id $40.20
Under 15 years $33.20
Full time with id $40.20
Wednesday, 24 July 2002 09:00..
Wed 9 Oct 2002 8:00pm:
A Reserve
Adult $43.20
Junior aged 0 to 15 years $33.20
Pensioner/seniors cards $40.20
Unemployed with health care id card $40.20
Students with id $40.20
June 28, 2002
A very happy Kasey took out the award for Best Female
Country Performer at the MO Awards earlier this week.
The award, which Chambers said was one of the greatest honours of her career, capped off a memorable fortnight for the 25-year-old country musician. She gave birth to her first son Talon Jordi Hopper just 13 days ago.
APRA's board of directors said Chambers was their "unequivocal choice" for songwriter of the year.Her single Not Pretty Enough and album Barricades and Brickwalls simultaneously reached the number one spot on the charts in March – an unprecedented feat for an Australian country artist.
"This award is honestly one of the biggest honours that I've ever had in music," Kasey said.
KASEY Chambers has received four nominations for tonight's top Australian music awards. But Chambers said the thrill of hit singles and peer acclaim can't compare to the pure joy of becoming a mother. "Having a baby has been the most beautiful experience I've ever had in my life," Chambers said yesterday. "I've never enjoyed something quite so much as I'm enjoying being a mother, and Cori has been the most perfect father in the world." Tonight will be the first public appearance for the 25-year-old singer-songwriter since she gave birth to Talon Jordi Hopper on May 22. Although her fans - and the paparazzi - are desperate to catch a glimpse of baby Talon, they may not get the chance tonight. It is likely his grandmother will mind him at home. Two of Chambers' songs have been nominated for the major prize, song of the year, at the Australasian Performing Right Association awards at The Regent in Sydney. The songs, Runaway Train and On a Bad Day, have also been nominated in the most-performed country work category. Alex Lloyd and popular bands George and Something for Kate are also vying for the song of the year award. Lloyd - nominated for Amazing - will be absent because he is touring in Europe. Song of the year winner will see their tune performed by a mystery big-name Australian artist. Other awards nominees include dance producer paulmac and defunct pop act Savage Garden. Tonight's awards come after a tumultuous year for Chambers, who is based on the New South Wales central coast. In January, she picked up two golden guitar awards at the Tamworth Country Music Festival. Hit single Not Pretty Enough won song of the year, and Barricades and Brickwalls won top-selling album of the year. The pressure of promoting a hit album while pregnant took its toll in February, when she collapsed on stage in San Francisco. In March she became the first Australian country artist to have a single and album simultaneously at the top of the charts.
Last Wednesday, on The WB,
Kasey's song "A Million Tears" was featured on Dawson's Creek's special 100th episode.
Now she's theWB's Featured Artist of the Week.
The Dawson's Creek episode "100 Light Years From Home" ends with a very disappointed and very alone
Dawson standing on the beach pondering life while "A Million Tears" by Kasey Chambers breaks your heart.
To be presented on Monday 3 June 2002 at the Regent Hotel in Sydney
Title ON A BAD DAY
Artist Kasey Chambers
Writer Kasey Chambers
Publisher Gibbon Music Publishing Pty Ltd
Title RUNAWAY TRAIN
Artist Kasey Chambers
Writers Kasey Chambers, Steven Werchon
Publisher Gibbon Music Publishing Pty Ltd
Title ON A BAD DAY
Artist Kasey Chambers
Writer Kasey Chambers
Publisher Gibbon Music Publishing Pty Ltd
Title RUNAWAY TRAIN
Artist Kasey Chambers
Writers Kasey Chambers, Steven Werchon
Publisher Gibbon Music Publishing Pty Ltd
BEST TOUR EVER!
BEST PEOPLE EVER TO TOUR WITH!
BEST JOB IN THE WORLD!
BEER COULD BE A LITTLE BETTER!!!! (WORM)
Always a surprise to find people even better than you imagined. We'd all spent some time together before, but as you all know, familiarity can breed contempt. Not true. Not on this trip. I thoroughly enjoyed my time with all of you. There we were like "BANG GUSTERS!" Untill next time, lets hope all stays well. (RYAN)
Well that's it from me, stay well, untill the next time, Beej.
For her fourth number, "The Nullarbor Song," she sat on a stool and quipped, "I usually don't sit down this early in the concert." Then she sang a strikingly beautiful version of the song. She finished with the final chorus, "I'll learn to live in a new town/But my heart is staying here."
Then she passed out.
A friend I came with was standing very near the stage. He said she just started slumping over slowly. Bill came over quickly and caught her, so she didn't actually fall off the stool.
Needless to say, they stopped the show. While the rest of the band and crew carried Kasey off the stage, Bill calmly but quickly explained to the audience before he left the stage that Kasey was six months pregnant and that she hadn't been feeling so well earlier in the day. A few minutes later, a spokesman for the venue came out and said that Kasey was fine backstage, but she would be unable to continue.
Sorry to bring bad news. I should emphasize, though, that Kasey doesn't seem to have been hurt at all by the fall, because Bill did catch her as she was slipping off the stool. And she certainly seemed in fine shape up until that point, which made the incident even more surprising. I didn't hear the slightest faltering in her voice. She just finished that chorus and fainted.
So all we can do now is pray that she's all right and wait for further news.
It was definitely a strange situation. My friends and I all kind of looked at ourselves in shock at what had happened. We did all agree immediately that we hoped she would not continue. The health of her and her baby are much more important than us getting to hear another set of songs.
We went across the street to get some drinks and after a while saw her father come in (Bill) and waved him down. He was a very great person and said that Kasey was doing fine and that they were driving back to LA that night and she would be on a flight back to Australia today. Seattle is canceled for sure. He said they would be back after the baby was born in May to make up these dates. She'll be fine and I'm glad he was there to catch her as she was falling because that could have been trouble.
Anyways, the 3 1/2 songs we heard were amazing and she sounded super. Can't wait to see her again in the spring!
Victoria on the Park Hotel, Enmore with heaps of special guests 8pm $10



Like all good country music artists, Chambers is renowned for her plaintive laments about lost love and the pain when relationships break down.
As soon as she met actor Cori Hopper, the alternative country artist joked that her career was at an end.
"It was literally love at first sight. I was talking to him on the phone later, and said I had one problem: 'If I'm this happy, how am I going to write songs?' "He said I should try writing a happy song, which I've never really done before.
"Falling Into You is what I came up with. It's the saddest song ever, but there's a line in the chorus that's positive."
That song features on Chambers' second album, Barricades And Brickwalls, which made its debut on the pop charts at number four and has already achieved gold status just five weeks after its release.
The down-to-earth singer/songwriter with the decidedly non-country image has single-handedly created a market in Australia for her spin on a genre that had struggled to find a mainstream audience.
Chambers' debut album, The Captain, sold double platinum -- more than 140,000 copies -- in this country and is still on the charts more than two years after it was released.
It also won Chambers the Best Female Artist award at the 2000 ARIAs against the likes of Vanessa Amorosi and Kylie Minogue.
Chambers is proud that, unlike crossover country artists such as Shania Twain and Faith Hill, she hasn't had to change her sound or looks to succeed.
"Look at someone like Paul Kelly -- he's a household name, yet he's not a celebrity being followed around everywhere by paparazzi," she says.
"He's just as famous as Kylie Minogue, but Kylie Minogue is a celebrity.
"I don't ever want my name to be bigger than my music."
